Tuesday, May 21, 2013

For Mom on Mother's Day (she would excuse the tardiness)


There are a million things I remember about my mother, about growing up as Karen Griffin’s son. I’d be lying if I said that none of the memories are bad, but I’m thankful that the good far outnumber them. Some I remember as if they happened yesterday while others are just hazy visions that hover in the distant corners of my mind, stirred up every now and then by a familiar smell or song or the occasional feeling of déjà vu. I cherish them all; good and bad, vivid and fading, because they’re all I have.

One of my earliest memories of my mother is of not recognizing her, which sounds awful until you gain some perspective. I was young; I don’t remember how young, only that I had enough life behind me that I could walk, talk and blurt out my own opinion at the most awkward moments. This particular moment was a reunion of sorts. I was living with my mother’s father and mother, or Grandma and Grandpa as I knew them. From the table in the dining room where I sat coloring well beyond the lines I heard the screen door open and close followed by the clamor of adult voices. I remember peering around the door-jam and seeing her standing in the living room talking to my grandmother. I couldn't place her, but I recognized her hair that fell in dark waves around her sunburned face and her lively eyes and the soothing cadence of her voice. She took a seat on the sagging flower printed sofa with a Virginia Slim held delicately between the tips of her right index and middle fingers. I stood motionless, frozen with curiosity, and as my grandmother passed me on her way to the kitchen for drinks she told me that Mom was here and that I should go say hello. It took me a moment for the statement to resonate within my young mind, and even then I was uncertain of everything except that I knew she was someone I trusted. I entered the room and approached timidly, feelings of both apprehension and familiarity coursing through my small frame. As I stopped in front of her she looked up at me with kind hazel eyes and a smile like a soft warm blanket on a cold day.

 “You know” I started, and she cocked her head attentively in anticipation of the long forgotten secret it seemed I was on the verge of sharing; some mystical truth about life, the universe and everything. “you shouldn't smoke. It’s bad for you”.

It may seem strange or unfortunate, but that is one of my first memories of my mother; a memory where I barely recognize her and proceed to chastise her health choices. When I was young my mother and father worked construction; not the kind that kept you in one place and allowed you to go home each night to your own bed and your loved ones, but rather working on highways and interstates that were miles away and kept them moving along as the construction progressed. They lived out of a camper for awhile and thought it best if I stayed with my grandparents. I never blamed them as a kid because I simply thought it was the normal way of things; I don’t blame them now because I know it was as much a sacrifice for them as it was for me and they were doing it to try to make a better life for all of us. So while one of my first memories of my mother is of only a vague recognition, it was for good reasons and I'm alright with it.

Other memories are more pleasant. I remember our summer vacations when I was still far enough from my teen years to look forward to family trips to Disneyland. Because my mother hated flying we spent two days crossing the country, my father manning the wheel in marathon driving shifts from Kansas to California and back again. My mom, much to my dad’s always quiet, stifled annoyance, would make him pull over at touristy junk shops and kitschy attractions that huddle along America’s highways in the hazy spaces where towns end and the long quiet stretches of world begin.

We would stay in the cheap family motels that once lined Katella Avenue across from Disneyland; The Aladin’s Lamp or the Castle Inn or one of the other charming, comfortable, just-this-side-of-trademark-infringement establishments that were bulldozed years ago to make room for mega hotels with none of the charm at four times the cost. When we settled into our room my mom and I would go out onto the balcony that overlooked Disneyland’s once vast parking lot where California Adventure now stands and watch the fireworks explode over the castle that peaked just above the trees in the distance, a taste of what the next day would bring. Somehow my mom would never tire at Disneyland. Maybe she knew she’d never get me to stand still and simply had to keep up or maybe being there made her feel as youthful and energetic as her eleven year old son; either way she’d rarely back down from a ride or stifle my rampant exuberance. To this day its one of my favorite places, not for the rides but rather for the memories of those long summer adventures that started with me half asleep in the backseat at four in the morning with my dad driving and my mom fiddling with the radio trying to find Fleetwood Mac. Those treks that spanned the deserts and the mountains where the sky beyond my backseat window fell into an endless horizon of adventure and possibility. Those few precious days where we smiled and laughed and my mom could give her son the childhood she never had and the memories she always wanted.

As I got older, things changed between us. Some of it was my fault; in fact I can probably claim the lion's share, but she wasn't without blame. My parents’ relationship was strained; in truth it had run its course years before, sometime after those perfect summers, and they only lingered together for my benefit. That rarely holds out for long, though. My mom eventually lost her trust in my father and things were said, or implied, often. My father shouldered it as well as he could at first but there is only so long you can be suspected of something before it becomes a reality. I was asked if I knew what my father was up to, told by my father that he thought my mom had stopped loving him long ago. I didn't care who was right, who was lying or what had happened; they were my parents and I couldn't pick a side and was angry that I felt I was being forced to. I spent less time at home and more nights at the ten dollar concerts that would play the Nile a few nights a week. The music was angry and loud, but I won’t be so cliche as to say its how I felt. I was certainly pissed at my parents for putting me in the middle and I suppose the blue hair and spikes hinted at an angsty rebellion I never really felt. In truth, though, I still loved them both very much, still maintained my grades and never thought of doing anything rebellious like running away, until I kind of did.

My mom kicked my dad out; got a restraining order in fact even though I know he never had and never would hit her or anyone else. Regardless, the suspicion and mistrust had led to fear and fear sometimes makes you do desperate things. I didn't know how she thought we would get by, her unemployed and me part time student, part time worker, and I asked her as much. I was angry at her and found a way out with the parents of my girlfriend at the time who graciously offered me a place under their roof for as long as I needed. At the time all I could think of was how right I was, how badly things had been messed up largely because of her and my dad, and how I just wanted out. Years later when I thought back on it I was ashamed and sad, feeling that I had abandoned her. She’d just kicked my dad out and then her son left; it must have been a terrible abandonment and I apologized eventually but am not certain it could ever be enough. But for a long time I’m ashamed to say I didn't go out of my way to keep in touch, and to be fair neither did she. The first time she called me was six months after I’d left; she wanted to check to make sure I had gotten new glasses and also to let me know she had moved to Tampa. I didn't quite know how to respond so I simply assured her I’d gotten a new prescription and said that I hoped Tampa was nice. It would be like that for some years; intermittent contact spread over vast swaths of silence, but every time she called I knew that it was because she loved me and wanted to make sure I was alright in spite of the massive asshole I’d been.

The calls got more frequent my junior year of college. I’d leave class and find voice mails waiting for me when I checked my phone; messages that spoke of doctors and tests and maybe cancer but then again maybe not; essentially a string of information that nobody wants to hear, especially from their mother. She had always been a bit of a hypochondriac and the optimist in me chalked it up to an overactive imagination. Regardless, she asked me, my brother and my sister to come visit her in Tampa in June. It would be the first time I’d seen my brother and sister in nearly a decade, and the first time the four of us were together since I wore pajamas with cartoon characters on them.

One of the last memories I have of my mother is not unlike the first; I didn't recognize her. When I walked in the door of her tiny apartment a few miles from the gulf shore she sat on the sofa with a Virginia Slim inching its way toward the thin fingers that held it so delicately. Her hazel eyes were not so lively as they once were. The Cher-imitating hair that had been dark and flowing all my life was silvery and pulled back away from her spotted and freckled skin. Her voice was still kind but she could no longer spare the warmth it once offered. I didn't remember her being so small, I thought. She would forget things and repeat things and I did my best to stifle an anger that I couldn't quite understand the reason for. I declined her offer to stay at the tiny apartment and opted for a hotel a few minutes away, partly because I didn't want to impose and partly for selfish, shameful reasons I can’t even name. I know now that she just wanted me near, just wanted time with me. I did stay one night, sleeping on the floor as she dozed quietly on the sofa, looking more at peace than I could ever remember, and I’m thankful I did because its one more happy memory of her I got to steal. I only had a few days before I flew back to Phoenix. The time was too fleeting, too crowded with three of us wanting her attention while at the same time trying to accustom ourselves to relationships that were not at all the same as they were the last time we’d all been together. Before I knew it I was saying goodbye with a promise to visit again soon, but I think I knew even then it would be the last time I saw her.

She fell after we all left. The hospital wouldn't let her go home, fearing for her safety, and eventually they transferred her to hospice. My sister, as much a nurse to our family as she is to her actual patients, was able to fly back in early August to be with her. She stayed with her and talked to her, calling me daily to provide updates. She caught me on lunch at work one day and said that mom had been asking for me, that she wanted to speak to me. I walked outside and sat in the cool shade in a bank of grass that ran along the storefront. Her voice was nearly a whisper and I could tell by the urgency of her speech that her thoughts were tormented. I strained my ears to hear her quiet words. She was sorry, she said. She hoped I didn't blame her, that I didn't hate her. She hoped I knew she loved me. I told her that I didn't blame her for anything, that there was nothing to be sorry for. I understood why she left and it was alright; I wasn't angry or resentful. I told her I loved her and knew that she loved me and that I couldn't imagine a better mother than her or a happier life than the one she had given me. Her voice trailed off again, less tormented though which I hoped meant she had found some peace. My sister picked up the phone then, told me she would call me with any news and I went back to work.

The following day, September 2nd, was my birthday. The worst part of having a birthday so early in the school year is that generally you're not able to skip class as easily as you might a few weeks into the semester when you have a better idea what the hell is going on. Because of this I found myself standing in the language building killing time before my Spanish class when my phone rang. I saw my sister's name on the screen as I pulled the phone from my bag and before I even answered I knew; I knew what words she would say; how shaky and quiet and tear stained her voice would sound. I knew how I wouldn't know how to react; how I wouldn't know what to do next or who I was supposed to call or what I was supposed to say; how the numbness would wash across my mind and take me and I'd hear nothing more after those first few words. I knew that I had known for weeks that my mother would die that day, my birthday, and still I was completely unprepared for any of it.

I am thankful for the numbness because with it came a sort of sleepwalking dignity, a composure that allowed me to mime the acts expected of me in that situation even though my mind had ceased to function. I don't remember the rest of the conversation with my sister. I don't remember what I said to my professor, I think some toned down version of the truth; a distant relative or friend of the family. I was afraid she wouldn't believe the truth and if she would I didn't want to be the guy in class whose feelings she felt she needed to coddle. I don't remember what I said when I spoke to my dad; I do remember his condolences, and I don't remember what I said to my brother nor what his condolences may have been. I do remember sitting in my car, though I don't recall walking the three blocks to get there. Somehow I managed it without falling to pieces. I sat there in silence for quite some time, perhaps a half hour, motionless and numb in the stifling September heat of my seclusion. I don't know what my thoughts were, how I felt; I only know that at the end of it, exhausted and disoriented, rather than burst into tears, I laughed.

I've moved around quite a lot throughout my life and because of this I learned to form strong bonds with people who I rarely see, to which I'm sure many of you can attest. We don't always get the relationship dynamics we want in life and with that in mind I've always striven to hold on to the people who are important to me no matter how far away they may be. The people I consider my closest friends, my best friends, are scattered all around the globe. Some of them I'm lucky enough to see weekly, others perhaps once or twice a year. Others still I haven't seen in two years or even four. This is true, too, of family. I'll go months without calling my sister or father and that trip to Tampa and a couple calls afterward were the only times I've been in touch with my brother since I was a teenager. When we're together though, whether its been a week or a year, we mostly pick up the thread of our relationship without missing a beat. I'd love to be in their lives more; to see their kids and go to their art exhibits and be a bigger part of their world, but again, sometimes you have to simply be thankful for what you have and not bemoan what you don't.

This is how I was able to maintain a relationship with my mother with limited contact for nearly a decade and its at the heart of why I laughed that day in the car with the news not an hour old. My mother knew how atrocious I am at keeping touch and realized she wasn't much better than me (I'd picked up the habit somewhere, after all). She knew how we parted on uneasy terms and how ten years apart can strain even the closest relationships. I think this was her way, or perhaps the universe's way of making sure I never lost touch with her again; that there would always be a day, a day set aside for happiness, that I'd think of her and smile; a day that would always recall the memories both happy and sad; my Birthday. That and my mother always had a great sense of humor; I'm sure she laughed at the surreal absurdity of it too. Thanks for the memories, mom, and for making sure I never forget.

Thursday, February 14, 2013

Into the Deep End....

Initially I put off sharing this as I didn't want any undue pressure; afraid that if I'd stated it then people would expect more than I could deliver, or that I'd let everyone down when I eventually gave up the pursuit. However, a month and a half in I'm a bit surer of myself now, even though I'm yet very much only a novice, and wanted to share it now as a way of fortifying my dedication; of closing off the exit and not allowing myself to back out, as it were. That said, I'm pleased to say that, as of mid December, I've been actively focused on writing for the first time since my freshman year of college when my delusions of grandeur nearly prompted me to major in English.

I've always wanted to write, but like many dreams I always thought myself too mediocre to get anywhere with it so I let it go and concentrated on more practical things (like art history). it was always there though, nagging me like an itch. I'd write little stories for friends on occasion, but more often only for myself as a way to vent my creative stockpile. Then I'd re-read them, come to the conclusion they were utter rubbish and burn not only them but anything they'd come into contact with for fear the terrible writing had left some wretched stigma on the paper, the desk, the printer or anything remotely near them. I don't know what I expected; I hadn't really put any effort into them and had ignored what I'd been told was natural proclivity (not saying I believe this) for years, so of course they were pretty awful. I constantly compared my writing with the writers I admired; Neil Gaiman, Michael Chabon, etc, which is a fairly masochistic practice; comparing your beginning work with that of someone who has honed theirs for nearly as long as you've been alive. This was recently pointed out to me, and I'm trying to keep it in mind.

So, I've rededicated myself to writing; fiction, non-fiction, short story, essay, poem (no songs; I'm no good at that and freely admit it. Thank me for sparing you). Basically I'll write whatever I feel with two ends in mind; either I succeed beyond my wildest dreams and am able to support myself entirely from writing alone, or, like many writers, I do it in the mornings before I go to work, or sneak in a few pages before bed; use up my days off to finish whatever it is I'm working on in the hopes that it will be published and read by someone. At the end of it, if its not read I don't really care because I'm doing it for my own sanity as much as I am my desire to be Neil Gaiman (I'm sure you're all well aware of how fervent that desire is). I've finished one short story since I began this in December and started nearly a dozen others I wouldn't allow myself to work on until the first one I started was completed as I didn't want a bunch of unfinished pieces around to discourage me. You cannot read this first one, because like any first attempt its likely pretty terrible. I'm okay with that; in fact I hope it is as constructive criticism is much more useful than obligatory praise (Jess has a copy and I await her response). As I get better, find my voice, I'll likely start sharing them and I'd be happy if you read them (happier still if you enjoyed them but I'm not promising anything there). Either way, its what I've been up to lately and is the reason for recent cryptic and cagey responses to "so, Justin, what are you up to other than work?" "Um....crocheting? Spelunking? Why; what have you heard?".

Lastly, I just want you to know that its all your fault, you bastards. I blame all of you for this foolhardy endeavor. All of you who are so inspiring with your amazing careers and your studies and your writing and your painting and your photography and your music and the million other things you do that make me so proud to call you friends and remind me that I should do more to be deserving of inclusion in such interesting and brilliant company (especially my loving, supportive and brilliant wife). Thank you and I'll try not to let you down.

Wednesday, January 2, 2013

2013; In Which I Grow Up (if only just a bit)...

I've never given much consideration to the New Year. As with most quaint traditions I can certainly appreciate the charm of resolutions, but I've never been much for the holiday in general; too Bacchan for my quiet demeanor I suppose. For the last couple years Jess and I have greeted the coming year with a quiet dinner on the Upper West Side followed by a movie; strategically avoiding the maelstrom of Times Square and its drunken, tidal aftermath flooding the subways back to distant boroughs after the last bit of confetti and music have fallen from the cold air. We continued the tradition this year, though for me at least there was an anomaly; something markedly different from previous years; the feeling, or perhaps solely the hope, that this year truly would bring change and focus.

Its not to say that my life has not changed, especially in the last half-decade, but these changes at the time seemed less planned and more the spontaneous acts of astrological alignment. If I had been asked on December 31st, 2009, what the coming year held for me, I would certainly have said that I hoped it would bring marriage before the next new year (as I was already looking at rings), but I would have been reluctant to believe that one could propose, marry, honeymoon and move across the country to New York all before his 30th Birthday that September. Happily all of this transpired, and relatively smoothly given the chaos usually brought on by planning a wedding and a cross country move on their own, let alone in tandem. 

This year, though, is different in that the resolutions I've set are more grandiose than those of previous years; more deliberate and purposeful. Maybe its because I'm tired of my job, weary of selling and not giving anything to the world and sick of tarting it up whenever someone asks what I do for a living, trying to make it sound more consequential than it ever could be. It is a living, but that is all. It could be also that in my mind I need to better myself if I want to feel deserving of my lovely wife, or maybe I've simply figured out what I'd like to do with my life, if only part time (though I wouldn't swear to it and I'd hate to jinx it). Perhaps its all of these things at once or none of them at all, but whatever the impetus, for the first time I feel like I have a focus for the upcoming year and I've made my resolutions with this in mind. I've shared my goals with Jess and she's professed her favor and support, though I won't mention them here as I feel its bad luck to share your resolutions with just anyone (one more of those quaint traditions I so adore); plus it invites unneeded pressure on an already tenuous endeavor.

If nothing else, I think this year I simply feel more adult than before; which I suppose had to happen sometime. It has certainly been a late revelation and a transformation I'm not sure is entirely complete, if ever it will be. I'm happy to say that many of the insecurities of my youth have since been resolved and I've somehow stumbled into a life, one I'm still sometimes unconvinced is my own, where I'm able to walk the quiet, brisk winter sidewalks of the Upper West Side with my beautiful and brilliant wife; dressed in suit and great-coat with peaked collar and my hair as askew as the wind and products will allow, and distinctly more comfortable with myself than in years before, or at least a bit more adept at masking my awkwardness, anyway. Also feeling somewhat "fictional", as Neil referred to his own mindset in a blog post on that same evening. Either way I feel more sure of my goal, less than sure of how to get there, but positive I'm moving in the right direction as no step is truer than the one that, at first, feels the most unsure. With that in mind, I wish you all the best for the new year and the resolve to follow uncertain steps as you pursue your own hopes.

Monday, December 10, 2012

Propaganda New Orleans or "And Now Here's Something You'll REALLY Enjoy...."


Propaganda New Orleans is a new project that the enviously multi-talented Christy Lorio is working on with some of her equally talented New Orleanians (I had to google that; spell check still doubts it). The website and video magazine will focus on topics in and around NOLA and highlight local events, artists, dining, retail and everything else that gives New Orleans such indelible character. Don't feel left out if you're not from the Crescent City, though, there will be plenty of great articles and videos for even the non-native. Check them out here at Propaganda New Orleans.

Catching Up: Remodeling, Hurricanes, Modernism and Everything in Between

I'm sitting here in my kitchen working on a tiny corner of table I've reclaimed from our vast array of kitch. Normally I, along with the kitch, would be in the other room, but currently there are men here fixing the fragmenting ceiling (once, long ago, our building decided to shuffle a bit in its sleep. The resulting spiderweb of lines stretch through most of the apartments). So, banished to the kitchen, I thought it a good time to catch up on some of the events of the last couple months (as for once my lack of writing has been due more to pure laziness than lack of news). My last post was in October, so I'll start there.

Halloween this year held so much promise. Jess and I had planned on a trip to Sleepy Hollow on the Monday prior to tour the graveyard, say hi to Washington Irving and perhaps hunt down a headless horseman. Then Tuesday, Mischief Night, we had planned to join some friends for a night of music, drinks and dancing at the Delancey. Finally on Wednesday we would hand out some candy in the neighborhood before heading down to the Village for the Halloween Parade; a perfect end to our three days of festivities. Instead I spent the week prior watching weather reports and hoping that Sandy would veer off into the sea or fade into a rain storm, neither of which was forecasted. By Friday I had resigned myself to the fact that our plans would be washed out and, indeed, Sleepy Hollow cemetery confirmed that afternoon that they had cancelled graveyard tours for the duration of the storm. So on Sunday, with mass transit scheduled to go offline by 7pm (a serious problem in a city where roughly 70% of the 8 million residents don't own a car) I left work at 5 to go meet Jess. She, unfortunately, was stuck at work awhile longer and advised I try and scrounge supplies at Whole Foods before we left. After waiting in line for 15 minutes just to get into the store, here are the "supplies" we procured:

- French Bread (1 dry loaf)

- Sausages (x 4)

- Assorted Vegetables (non-perishable for at least a few days

- Assorted Cheeses

- Beer (forgetting that Jess had picked up a six-pack the week before, and that I'd also got her a 6 pack of pumpkin beer a couple days later before it was sold out. This left us with no less than three full six-packs plus a bottle of wine I picked up later Sunday night. It may be time for help.)

- Kale Chips

- C Batteries (though our flashlight takes D)

Its more of a list one would make for a Superbowl party than a survival kit for a natural disaster. That night we sat round the television like 20 million others in the tri-state area and waited for the worst of it, which unfortunately we got. Jess and I did luck out, though. We live in Inwood/Washington Heights which is near the northern tip of Manhattan and the highest point on the island. In spite of a couple anxious flickers, our power held and there was no flooding by us. I was also happy to hear that, for the most part, our friends in Brooklyn had escaped relatively unscathed. For the next three days we tried to make the most of being marooned in northern Manhattan, just thankful to be safe and warm. We spent quite a lot of time at the restaurants in the area, had some friends over for an 80's goth themed horror movie marathon (Jess just wanted an excuse to wear the vintage black velvet dress she picked up recently and I just wanted to watch Friday the 13th; luckily Christian and Sam were into the idea also and we made a night of it). For Halloween we walked the neighborhood in costume (I a raven and Jess a magpie) and handed out candy to the throngs of children happy for an excuse to be outdoors after two days of seclusion. Jess was back to work Thursday while my work stayed dark until Friday evening (which is somewhat funny since Jess and I work literally around the corner from one another; on 26th street and 25th street respectively). The oddest experience of the whole storm was when I went down to meet Jess after work on Thursday and stood on the dividing line between the powered and the powerless; south of 25th draped in the thick black veil of darkness, unspoiled in the absence of light and sound. Though it wasn't what we originally planned, it honestly turned out to be a nice few days together and again I'm thankful we were so lucky. Hopefully this doesn't become an annual occurrence, though. The next Tuesday was the election and I'm equally thankful about that. Then a blizzard, then a brief bit of normality to soak in the full scope of the previous weeks, and then suddenly it was Thanksgiving.

Jess and I flew out to Indianapolis on the Monday before Thanksgiving. Our flight took us through North Carolina so I was able to check off two more states I've visited (Indiana and North Carolina, if ever so briefly). Indiana would be my first trip back to the Midwest since I was a teenager and I didn't notice too much difference between it's landscape of alternating fields and trees and Iowa's landscape of fields and trees. We drove south to Columbus where we would be spending the next few days with various grandmothers, aunts and cousins. Columbus, despite being a small Midwestern town, has the unexpected honor of being one of the country's top architectural design destinations. Cummins engines, based in Columbus, made a pledge that they would cover the architectural design fee of any public structure if the city agreed to choose from a list of architects provided by Cummins. Because of this, the city is now home to buildings from some of the 20th century's foremost architects (Eero Saarinen, I.M. Pei, Robert Venturi, etc.). The highlight of the city's seventy plus architectural treasures, for me anyway, was the Miller house. J. Irwin Miller, the 2nd CEO of Cummins, was deeply interested in architecture and was responsible for spearheading the architectural program with the city. Set behind a row of hedges, his expansive single story home was designed by Eero Saarinen (one of his few private residence projects) while the interiors were warmly decorated by Alexander Girrard; it is truly a masterpiece of mid-century modern architecture and design. In addition to various architectural tours, our time was happily spent with family, overindulging in good drinks, good food and good times. It was a great escape from the city and I hope we'll make it back again soon.

By the time we returned to New York the weather had improved dramatically from the snow and rain we bid farewell to only a few days earlier. Jess' birthday was the following Tuesday and it was a much welcomed quiet dinner out at our favorite spot (the Garden Cafe on 207th street and Broadway beats the hell out of anything you'll find in Little Italy). Since then, the city has looked a little more like Christmas with each passing day. I wish the days weren't going so quickly, though. Rather than sitting here watching plaster and paint go up I really need to be starting my Christmas shopping (Jess and I fly out to Wisconsin on the 22nd). Unfortunately my seemingly rational question last week of "can't the repairs wait until after the holidays?" was met with the not quite as rational response of "no, the insurance company wants to get the repairs done quickly". This would make sense if the repairs hadn't remained unattended to for at least the two years we've been in this apartment in addition to however long it was between the building's little shift and our moving in. But, in the spirit of the holidays I'm trying to stay positive and make the best of an annoying situation; hence writing. Hopefully the next entry will be a little less mundane and clouded by paint fumes.

Sunday, October 21, 2012

"We Can Be Heroes..." - Cosplay and New York Comic Con 2012

October in New York brings with it so many of my favorite things; cooler days and fall foliage with a hint of pumpkin and the macabre in the air. But in addition to Halloween, October in New York brings yet another anticipated gathering of the costumed, the "weird" and the creative; Comic Con. Second only to San Diego's convention, the New York Comic Con ran from Thursday the 11th through Sunday the 14th this year and was filled with 115,000 collectors, creators, costumes and everyone in-between. And for the third time since moving to New York, my wife and I donned our newly created costumes and joined the fun.

For those who are unaware, cosplay (short for costume play) is one of the staples of any comic con. Cosplay takes on many forms, from those who simply purchase the replica costume to those who spend months working on their own interpretation of the character; assembling already made pieces or creating them by hand. Many of those who eschew "store-bought" replica costumes approach the DIY process with the same obsessive attention to detail and creativity as a painter, sculptor or any other artist and consider this their art form. For those like myself who assemble real world, ready-made clothing and accessory pieces into a convincing representation of a fictional character, the process can be a tedious cycle of trial and error riddled with frustration. It takes patience and an editing eye to execute well. Yet, I can attest that this method, while sometimes difficult, is firmly second to those who spend hours hunched over sewing machines or in their garages laboring with cloth, fiberglass, resin, cardboard, leather, metal, foam and every other conceivable material to bring their vision to life. To put it into more relative terms; my work is a collage, while theirs is oil on canvas and wholly their own.

So given the months of hard work, what is the appeal, then? I've certainly not found a way to make money at it and while there are a few who have gone into cosplay modeling (predominantly women in spandex or latex), the opportunities here are obviously limited (even more so for skinny Riddlers in vintage green suits, as you can imagine). Accolades, too, are few and far between. Aside from a costume contest at some comic cons, there are generally no awards presented in recognition of months spent toiling away at foam rubber. So then why do it? Why spend all that time, effort and money (lots of money) on something with seemingly no reward. I suppose the obvious response would be that the decision making skills and overall sanity of someone that dresses up as a masked villain and parades around in public for a weekend is dubious at best, but in truth cosplay provides ample return for the commitment it demands through immediate feedback (and ideally praise) for your hard work.

When you're walking around and you hear people saying "great costume", "you look awesome" and other such comments, or when people want a photo of you, to me it feels like I've succeeded in my work; that I've created something other people appreciate and for me its a validation of the time and effort, no matter how frivolous and inconsequential cosplay is to life beyond the convention doors. Smiling children are certainly the best part of this; the beaming face of an eight-year-old that genuinely believes that he or she is standing next to THE Batman, or THE Superman has the same warming result as watching kids waiting to meet Santa. When I asked my wife what was her favorite moment at this years comic con she didn't hesitate in mentioning the pint sized Poison Ivy, perhaps 5 years old at most, who spotted her in her Catwoman costume and came running into her arms. Its the same kind of immersion that makes theme parks work; the same willful suspension of disbelief that allows you to fall into the world of a book and its a shared experience with all who attend.

With that said; I've included below a few shots from this years comic con that, I think, provide a brief glimpse into the world of cosplay; whether its store bought or homemade.
We'll start off with the replicas. Generally people that do cosplay frown upon exceedingly expensive reproductions. The feeling is that store bought costumes defeat the purpose; that the idea of cosplay should be about your own attempts to mimic or reinterpret the character. However, store bought costumes can be amazing, as you can see:



Great Cobra Uniforms
                                               




Batman probably spent around $400 on his suit


















Again, though, in buying the replica you're not able to make the character your own, which is one of the main components of true cosplay. Certainly the Batman above looks great, but for the cost of the suit he should. The equally good Joker, on the other hand, has an assembled costume. His addition of props like novelty chattering teeth and a comically over sized gun coupled with the fact that he mimicked the wild mannerisms of the character enhance his costume's authenticity and create a more accurate representation than the Batman costume.

Aside from replica costumes like these, there are similarly also people in professionally created costumes throughout the show. They are generally hired to promote something and range from "booth girls" (usually models who have little interest in comics but look good in spandex) to intricate, highly detailed costumes like Bumblebee below:

                                          
Its a really amazing creation, especially when you realize there is a guy inside there who is almost perfectly mimicking the movements of the fan favorite yellow Transformer. However, as I said above, it should look this good because it was professionally done. From a cosplay standpoint, its not as authentic. Great on the surface and amazing to look at, but inherently soulless. The following costume, however, is perfect:

Cardboard, duct-tape and paint


And he transforms!!!

 








He's about eight or so years old and has one of the most creative and inspiring DIY costumes I've seen. From standing robot position, he gets on his hands and knees and all the parts of his costume fall into place to form a car. His father (who should be canonized as best dad EVER) created the costume using duct tape, cardboard and paint (and more engineering skills than I will ever possess). That the piece looks so great in both robot and vehicle form is astounding when you think about the planning that must have gone into it to ensure that everything aligned correctly while still being wearable. This truly is the essence of cosplay; interpreting a character in a unique and personal way while trying to stay true to the character and source material. Though, to be fair, he did have some practice at it from last years comic con:

                                                        Painted Cardboard; Awesome!









Not everybody needs to be able to transform to have a great homemade costume though. Below are a few examples of well executed DIY costumes:



Demona from Gargoyles            Catwoman, Jack Skellington & Daredevil              Joker and Scarecrow

Demona's costume is entirely homemade, including the wings, and looks almost identical to the character in the cartoon. Jack Skellington was a favorite of mine last year and I was happy to see him again this year. He uses a custom suit and stilts to achieve an incredibly accurate portrayal of the character. Scarecrow has actually re-purposed burlap sacks (authenticity is always a plus), while the Joker has assembled his piece from secondhand finds and a great fitting suit that he dyed himself (it was once white). Additionally, his excellent make-up and hair, exhagerated flower and joy-buzzer ring are all small details that lend greater depth and authenticity to the costume as a whole.

For our part; Jessica, Danny and I went as 60s Julie Newmar era Catwoman, 80s/90s classic red Daredevil and Riddler, respectively. I'm happy to say we each received positive responses for our work and were lucky enough to be pulled aside by a few professional photographers who were covering the event. These amazingly skilled photographers are an integral part of the world of cosplay as, aside from smiling children and the occasional snapshot or "great costume", its their willingness to photograph the creations cosplayers have put so much time and effort into that further validates the work. Below are portraits of Jess, Danny and I taken by Senen Llanos on Saturday.




They're really beautiful shots and we're lucky to have been selected by him for photographing (and even luckier that he emailed us when he posted them; too many shots get lost to abyss of the Internet). You can see the rest of his work here http://www.senencito.com/.

For those who participate in cosplay, comic con is over far too soon. Luckily here in New York the event falls close to another favorite costuming occasion; Halloween. After that I, like many others, will start brainstorming my costume for next year; sourcing materials and sketching out plans in the hope that next year's work will be as successful and as appreciated at this year's was. However geeky and inconsequential it is, I can certainly think of worse vices and more dubious "art forms" to partake in.  

Thursday, October 11, 2012

Because There's more to Life than Black and Brown

Men have a tendency to gravitate to safe sartorial choices, especially in their accessories. While black and brown are classic and will work with anything, a more colorful choice of accessory can be a great way to infuse your own sense of style into an otherwise muted outfit. Below are a few examples of how to liven up your fall attire this season.
1. Club Monaco Deerskin Gloves, $90.00 (www.clubmonaco.com). 2. Ted Baker Leather Satchel, $340.00 (www.tedbaker-london.com). 3. Burberry Walking Umbrella, $325.00 (www.burberry.com). 4. Valextra Mustard Credit Card Wallet, $380.00 (www.barneys.com). 5. Banana Republic Herringbone Scarf, $60.00 (www.bananarepublic.com). 6. Paul Smith Miller Brogues, $510.00 (www.paulsmith.co.uk).